Korean Film Nights 2019

The first Korean Film Nights season of 2019, Home Truths, ventures into various on-screen Korean homes with a programme of carefully selected titles. We explore how Korean domestic space shapes on-screen identities, and how its architectural structure can reflect the social mores of a time. A house can reveal much about both its residents and the world outside its doors.

All screenings take place at the Korean Cultural Centre UK and are free to attend (booking required)

The World of Us

The World Of Us 1
Film info

Director: Yoon Ga-eun
Cast: Choi Soo-in, Seol Hye-in, Lee Seo-yeon
Cert U, 95mins, 2016

Sun is a lonely primary school girl who, though desperate to make friends, has remained socially-outcast. When transfer student Jia joins her class, during the summer vacation the two become close friends, spending time at each others houses. Initially, Jia’s home brings the security and comfort that neither Sun’s own domestic space nor her classroom are able to provide. At the beginning of the new semester, however, their new friendship is tested as Sun continues to be the target of bullying by their other classmates...

Director Yoon Ga-eun invites us to closely observe the dynamic relationship of these two young girls, immersing us in their small world through its simple, unadorned storytelling. Sun’s experiences act as a microcosm through which we can observe how larger issues of social class differences and pressures filter down to affect even the lives of children. Yoon’s confident debut feature picked up numerous nominations and awards both at home and abroad, including Best New Director at South Korea’s prestigious Blue Dragon Film Awards in 2016.

The World of Us plays as part of the Korean Film Nights 2019 season, Home Truths.

KCCUK, 02 May 2019 7:00 pm

An Affair

An Affair
Film info

Director: E J-Yong
Cast: Lee Mi-sook, Lee Jung-jae, Song Young-chang, Kim Min
Cert 18, 108mins, 1998

Architect’s-wife Seo-hyun (Lee Mi-sook), is constrained and muted by domestic life, when one day she meets her younger sister’s 27-year-old fiance, Woo-in (Lee Jung-jae). Seo-hyeon promises to help Woo-in find the perfect home for him and her sister, before her sister returns from the US to marry her fiancé. Some 10 years her junior, Woo-in is refreshingly endearing and charming, bringing Seo-hyun a new lease in life. Emotions simmer and start to crystallise; soon both face an overwhelming desire to risk everything they once held dear....

It’s an oft-told story of desire and betrayal, but An Affair is recounted with crystal clarity and restraint, with a sparklingly metallic nineties colour palette. Just as the bold colours of the classic melodramas’ mise-en-scène spoke to heightened emotions, An Affair’s pre-millennial minimalism echoes the reserved loneliness of the characters within the film. A star-making breakthrough for both Lee Jung-jae and director E J-yong, this beautifully shot film also saw the comeback of one of the biggest actresses of the 1980s, Lee Mi-sook. The film’s ultra-modern interior design, and the different apartments it visits, create a Seoul built up by loveless spaces – but An Affair still cries out for the bliss of companionship, boldly prioritising it above family, children and the home.

An Affair plays as part of the Korean Film Nights 2019 season, Home Truths.

KCCUK, 09 May 2019 7:00 pm

The Room Nearby

The Room Nearby2
Film info

Director: Ko Tae-Jeong
Cast: Jung Yu-mi, Ye Soo-jung, Heo Eun-kyoung, Sin Jin-hui, Paik Soo-jang
Cert 15, 106mins, 2009

Private tutor Eon-ju is living rent-free in a tiny box-room of a goshiwon complex (a unique type of dormitory-style single housing, often as small as two-by-two metres) where she works part-time at the weekends. The only visitors allowed in this cramped space are the camera and us; with her well-being constantly under threat by her living conditions, Eon-ju is desperate to break out.

Whilst going door-to-door in search of new students, Eon-ju comes across a large residence  and notices its gate left wide open. Fueled by a strange curiosity and desire to escape the harshness of her reality, she steps inside. Will this be finally the place where Eon-ju can feel at home and protected?

 A Room Nearby features a powerful lead-performance from frequent Hong Sang-soo collaborator Jung Yu-mi, who recently gained international attention through her starring role in the critically acclaimed Train to Busan (2016). Premiering at the prestigious 2008 Busan International Film Festival, Koh Tae-jong’s debut is a touching and absorbing look at the everyday struggles faced by young women in Korea.

A Room Nearby plays as part of the Korean Film Nights 2019 season, Home Truths.

KCCUK, 30 May 2019 7:00 pm

Lies

Lies 1
Film info

Director: Jang Sun-woo
Cast: Lee Sang-hyeon, Kim Tae-yeon
Cert NR, 112mins, 2000

Note: this film contains scenes of a highly-explicit sexual nature throughout which some may find disturbing

After some steamy phone calls, J and Y meet and begin exploring each others bodies with a rabid intensity that takes them deep into the realms of shocking sadomasochism. J is a man, a sculptor in his late thirties, and Y an 18 year old girl about to go to college. They enact their transgressive fantasies in bare motel rooms, far away from more traditional dwellings. In company of others they act distant and cordial, but behind closed doors, and within any four walls that will hold them, their passion erupts in an intense exploration of power play, with a strangely tender consensual dimension to it.

When screened at festivals in the 90s, Lies only bolstered director Jang Sun-woo’s reputation as Korea’s enfant terrible of the time, and many critics condemned it as pornographic indulgence. While debate over Jang’s intentions and gaze remain, Lies holds up as a unique depiction of sexual obsession told with a heart on its sleeve and a whip in its hand.

Lies plays as part of the Korean Film Nights 2019 season, Home Truths.

KCCUK, 06 Jun 2019 7:00 pm

Woman of Fire

Woman Of Fire
Film info

Director: Kim Ki-young
Cast: Youn Yuh-jung, Jeon Gye-hyeon, Nam Koong Won
98mins, 1971

Woman of Fire sees Kim Ki-Young remake his stunning classic The Housemaid (1960) with an energy and passion that would come to define Korean cinema of the 1970s.  Focusing on the role women play within the home, the film follows a composer and his wife, whose lives are thrown into turmoil by the introduction of a new housemaid. The film features stunning cinematography (from regular Kim collaborator Jung Il-Sung), with striking red and blue hues allowing the film to transition seamlessly from moments of peace to ones of manic melodrama.

The small chicken farm forming the backdrop of the film becomes a pressure cooker of contrasts, whether it be divided affections or the stark contrast between urban and rural culture. Tension builds steadily as Kim navigates us through a narrative that keeps the audience guessing at every twist and turn. Woman of Fire can be seen as a high stakes chamber drama: the aesthetic brilliance of Douglas Sirk meeting the intense close quarters of Henrik Ibsen, one of Kim’s favourite playwrights.

Woman of Fire plays as part of the Korean Film Nights 2019 season, Home Truths.

KCCUK, 13 Jun 2019 7:00 pm

Mother and a Guest

Mother And A Guest High Res
Film info

Director: Shin Sang-ok
Cast: Choi Eun-hee, Jeon Young-sun, Kim Jin-gyu, Han Eun-jin, Do Kum-bong
102mins, 1961

Precocious Ok-hee lives in a household of widowed women: her mother (played by one of 50s’ and 60s’ Korea’s biggest stars, Choi Eun-hee), grandmother and their housekeeper. When a charming friend of her late father arrives at the house as a guest, six-year-old Ok-hee casts her affections toward him, seeing him as the paternal influence sorely absent from her life at home. She quickly takes it upon herself to play cupid between the man and her mother. Featuring touching displays of cinematic yearning, Mother and a Guest reflects on the societal expectations of female fidelity and desire across the divides of generation.

Directed by Shin Sang-ok, one of the most prolific and respected figures of the Golden Age of South Korean Cinema, the film’s use of black-and-white cinematography purposefully contrasts the vast, open spaces and wider shots of the exterior with the smaller, restricted areas and tighter shots within the hanok, where emotions and desires heighten and simmer.

Mother and a Guest plays as part of the Korean Film Nights 2019 season, Home Truths.

KCCUK, 20 Jun 2019 7:00 pm