Blog

London Korean Film Festival Wraps 11th Edition

12 December 2016

The 11th edition of the London Korean Film Festival (LKFF) wrapped in the British capital on November 17th with a screening of Hong Sang-soo’s new arthouse film Yourself and Yours.

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Classics Revisited: Lee Chang-ho Retrospective

07 November 2016

Being a film-maker has never been the easiest of careers in Korea. In

the colonial era there was a constant lack of funding, competition from
both Hollywood and Japanese studios, and the risk of ruin if the censors
came down on your film. Things did not get much better under a series
of strong-men Korean soldier-presidents, certainly not for a film-maker
with original ideas and a desire to challenge the status quo...

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Lee Kyoung-mi Reveals THE TRUTH BENEATH in Q&A

06 November 2016

On the opening night of the 11th London Korean Film Festival director Lee Kyoung-mi introduced her film, THE TRUTH BENEATH, to an enthusiastic audience. Having recently been awarded a prestigious Best Director Award from Korean critics and recognition of the film's myriad qualities increasing the further it travels; the LKFF proved the perfect time to introduce the film to UK cinema fans...

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The Rise of Female Voices in Korean Cinema

23 October 2016

Here, film critic and Korean cinema expert Jason Bechervaise looks back over the history of female film directors in Korea, picking out some of the most influential examples to have appeared over the years.

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​Actor Focus: Baek Yoon-sik

13 October 2016

Acting veteran Baek Yoon-sik has been Korean cinema's go-to guy
ever since the country's new wave broke. Need a nuanced performance of
guaranteed quality? Baek's your man. Here Korean film journalist Paul Quinn looks back over the career of this acting heavyweight.

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A Landmark Year for Korean Genre Cinema

16 September 2016

A few more pages remain before we replace our calendars, but it’s

already clear that 2016 will go down as a great year for Korean films,
particularly its genre cinema. Fan favourites such as Park Chan-wook,
Kim Jee-woon and Na Hong-jin have returned with some of their best work
and a host of other filmmakers have also put themselves on the map.

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